Monday, April 1, 2019

The Spring Exclusive Strawberry Tart Case - Sheep Costume - part 1







Sheep Costume





1





If I were asked if I had confidence, I would probably say I had none.

But, if it was someone like God who was asking, and I was guaranteed no one would think worse of me for telling the truth, I think I would surely say “I never thought I would fail”.

Funado High School is known locally for being a hard school to get into. That said, because it’s a public school, the number of applicants are adjusted by middle school, and it’s not that competitive. The test numbers of those who passed were posted in front of the gymnasium. I gazed at the numbers with the same carefreeness as if I was going out to see the neighborhood cherry blossoms, and found my number before long. Even so, I guess I was a little worried, because I let go a small breath.

At any rate, that wrapped it up for me. However, I couldn’t be entirely relieved. A companion I exchanged promises with weighed on my mind. We came here together, so she should be somewhere near…. I couldn’t see at all through the sea of people crowding around the bulletin board. This is hopeless. After all, this partner of mine is tiny, and above that doesn’t stand out. I gave up on trying spotting her, and slightly separated myself from the crowd. I took out my cell phone, and brought up an email address. The registered name was “Yuki Osanai cell phone”.

‘I passed. You?’

The answer that came back was,

‘Where are you now?’

I look around my surroundings for something to use as a landmark. This is my second time being here after all, the first being when I took the test. Being lost as to what to use as a landmark, in the end, I replied with this,

‘I’m going to the school gates’

‘I’ll be right there’

Communication finished. I put my foldable cell phone away in my pocket while heading for the school gates. The emails we exchange are always brief. Osanai-san never uses faces or emojis, so I don’t either. I asked her about it a while back, but it seems she doesn’t use things like that in order to match me. Osanai-san or me, just which of us is modest, and which of us is matching the other. It’s probably about fifty-fifty.

Near the school gates, there were a few groups of people. Osanai-san hadn’t come yet. …Or so I thought, when I spotted the upper half of a small girl in a sailor uniform in the shadow of the unfriendly concrete-made school gates. Just whom is she hiding from. I beckoned to the girl. She lightly scampered to me, and said in a small voice that seemed that like it could disappear,

“Me too.”

“…What?”

“Kobato-kun, you passed, right?”

Aah, I get it. I broke into a wide grin.

“Oh, so you passed too. That’s a relief.”

“Yeah. …I’ll be counting on you.”

It was just a normal conversation; it wouldn’t be a problem if anyone overheard it. However, Osanai-san didn’t change her small voice, which seemed to be out of consideration of the others.

Her name is Yuki Osanai. If you ignore her small stature, there’s nothing remarkable about her appearance. Narrow eyes and thin lips, a small nose. Every part was small, even her face itself was small. If I had to say, she had slightly large earlobes. She had a bob cut, and slender hands and feet, matching her small frame. She can ride the bus for the price of a grade-schooler. She wore a milk-colored cardigan over her middle school sailor uniform. Her atmosphere… this is a description she’d be pleased with, but she’s like a small animal.

Osanai-san has been with me since early summer of our third year of middle school.

A weak wind blew. Spring was around the corner, and although Osanai-san and I had passed, the air was still quite chilly. I shivered. I don’t have any more business here until the opening ceremony.

“It’s cold, so I’ll be heading home.”

“Me too.”

Osanai-san said, and then thought a little while.

“Sure is cold.”

“That’s why I said I’m heading home.”

“Why don’t we get something hot, to celebrate passing?”

That’s a good idea. I don’t know this area too well, but Osanai-san probably knows a place or two. I agreed without a second thought, but just as we were about to go, I was suddenly called out to.

“Hello.”

Standing there was a somewhat shady-looking man in a rose-gray windbreaker, holding a notebook. On his arm was a reddish-brown armband with “News” printed in white lettering. Osanai-san instantly turned around and hid behind me with incredible speed. The man glanced at Osanai-san, then turned to me and asked me with a mostly expressionless face,

“It seems you were accepted, congratulations. Could I have a moment of your time?”

An interview? With me? I see.

I promptly answered with a smile,

“I’m sorry, but I still have some stuff to do.”

Just saying that, without waiting for an answer I quickly headed to the sea of people. Osanai-san stuck close behind. It’s not that I harbor a special distrust of the press, but I just don’t want to get involved. Osanai-san probably feels the same way, but after moving a proper distance, she worriedly looked up at me with a furrowed brow.

“Kobato-kun…. Do you think that guy got mad?”

I was also curious about that, so I glanced back over my shoulder. The reporter wasn’t chasing after us, but was passing his eyes over the surroundings, seemingly looking for his next target.

“Looks like it’s alright. Even if he got mad, let’s just think of it as that being his job”.

“…Okay.”

Even as she nodded, her expression didn’t clear up.

Professor Clark left the words “Be gentlemen” to the students of Hokkaido University, but Osanai-san and I also have a similar principle. While closely resembling “Be gentlemen”, the social status is just a bit lower. “Be petit bourgeois”. This. For everyday peace and stability, Osanai-san and I are steadfast petit bourgeois. Although how we express it differs slightly. Osanai-san hides. I evade with a smile.

And as petit bourgeois, the television is something you watch, and the newspaper is something you read. Appearing on TV or in a newspaper article is out of the question. I have absolutely no intention of answering any questions even for an interview that might not even be used. But, it’s a problem that it’s also not very petit bourgeois to interfere in someone’s work and make enemies. On that point, I was relieved at the behavior of the man in the windbreaker.

Even so. I stop, and once again turn around to the school gate. Osanai-san asked,

“What is it?”

“No, nothing really. Just, we escaped in the wrong direction.”

After just escaping from the school gate, passing by that man again to get out would be a little awkward. I hate awkward things. There’re probably other entrances, but I’m not sure. As I was wondering what we should do, Osanai-san hid behind me again.

“…Don’t move, Kobato-kun.”

Wondering what it was, I looked around, and saw the likely cause.

It’s to be expected, but a large number of classmates from my middle school applied here. I’ve passed a number of familiar faces. Whom Osanai-san saw was one of those classmates, one from Osanai-san’s class as I recall. I understood why Osanai-san was hiding behind my back. Although Osanai-san passed, if that girl didn’t, it would be unbearably awkward.

Come to think of it, when we met up at the school gate, Osanai-san’s voice as she reported she passed was smaller than usual. That was probably because there may have been people around who didn’t pass. Good grief, even as a companion in the petit bourgeois way, I’m far behind Osanai-san when it comes to considering others. I sympathized with her feelings, and didn’t move for a bit, as she requested.







Quite a bit of time had passed since the numbers of the acceptants were posted. The excitement covering the sea of people gradually cooled down, with voices of celebration rising here and there, lacking Osanai-san’s considerateness. Speaking of cooling down, it had mostly died down. Just as I was thinking it was about time to leave and get something hot as promised,

“Hey, you there.”

Someone called out to me again. A deep voice, and pretty rough this time. Osanai-san instantly stiffened. I was also on the surprised side. There’s no reason anyone would suddenly call out to me like that here. For the time being, I meekly turned around.

Standing there was a guy with a rough atmosphere that matched his voice. With a wide well built body, his height was also much greater than mine was. The fact that he’s here means he’s in the same grade as me, which means he’s in the same grade as Osanai-san, but if you would line them up and take a picture, you could probably caption it “The developmental difference from nourishment”, and put it in a paper. Both sides of his head were shaved, and even though he probably originally had an angular face, his entire head looked square. I faced him, and gave a genuine smile.

“Well, look who’s here.”

“’Look who’s here,’ huh. Awful greeting you got there.”

“I think it’s better than saying ‘Hey, you there’ out of the blue though. It’s been a while, Kengo!”

Besides sniffing his nose, he didn’t give express any particularly affectionate emotions. It was typical of him to do that. Although Kengo and I are old acquaintances, we weren’t quite friends, come to think of it.

“So you applied for Funa High too, huh?”

“Yeah, I guess so.”

“And looks like you passed.”

“Somehow.”

“I see”, Kengo muttered, and nodded. He didn’t quite have a scowl, but he had his arms folded with an unsatisfied face.

“It’s something you have to use your head for, so I didn’t think you’d fail anyway. …Same school again, looks like.”

So Kengo passed too. That’s great.

Incidentally, Osanai-san was being shy. It’s probably to be expected, but it’s especially difficult when it’s a male partner. Furthermore, the extremely manly Kengo is probably the type she’s worst with. She was again huddled up behind my back, grasping my fleece sleeve. It crosses my mind from time to time, but it might be convenient for everyday life if she walked around with some kind of cover, like a large cardboard box.

I turn around to Osanai-san and smiled to her.

“He may be a little rough, but he’s not scary, Osanai-san.”

Kengo made a scowl for sure this time.

“Who’s not scary?”

“Oh, sorry. Maybe you were scary.”

“I’m saying the first thing you say about a guy shouldn’t be saying if they’re scary or not.”

“You’re right. Yeah, sorry, I didn’t mean any harm.”

However, the more I tried to sincerely apologize, the more he doubtful his face became.

“Why you…”

He started to say, and then swallowed his reply.

Since Kengo wasn’t going to continue, I had no choice but to introduce him.

”Osanai-san, this is Kengo Doujima. We were in grade school together.”

Receiving the introduction, Osanai-san reluctantly exposed her whole body to Kengo, and bowed her head.

“Kengo, this person is Osanai-san. We went to middle school together. She’s a friend.”

As for Kengo, he was exceedingly sincere. Unfolding his arms and sticking his chest out, he introduced himself,

“Hello, Osanai-san. If you’re a friend of Jougorou, you must be the patient type. I’m Kengo Doujima. We’ll be classmates from now on, so let’s get along.”

Talk about harsh words. Plus, Osanai-san hasn’t said that she’s passed yet.

It’s probably also because of the difference in height, but Osanai-san was looking at Kengo with really upturned eyes. If was too much for her, I was thinking of giving her some backup, but while she had a rigid expression, Osanai-san somehow brought up a faint smile, and gave a small nod.







Just as discussed, we ordered something hot at a favorite coffee shop of Osanai-san’s. Coffee for me. Hot lemonade and a strawberry tart for Osanai-san. It was a tart so small, you could call it a petit cake.

Wrapping the cup that held the lemonade with both palms, Osanai-san released a breath. She had taken off her scarlet muffler and set it on her lap. Osanai-san repeatedly rubbed the cup to warm up her frozen fingers, and eventually brought it up and took a sip. She took her fork, cut off an end from the strawberry tart, and carried it to her mouth. Osanai-san’s usual somewhat gloomy expression was enveloped in joy for an instant. I smiled at her.

“Good?”

Osanai-san nodded. After nodding, she took a small sip of lemonade, and then tilted her head to the side.

“It’s good. But…”

“But?”

She lowered her voice,

“I’ve had better.”

“Really.”

Since it’s not like I really love sweet things, it’s probably unavoidable that my reply was a little apathetic. Even so, to continue the conversation, I asked,

“Where?”

A natural smile played around Osanai-san’s lips.

“Alice’s spring exclusive strawberry tart. It’s overflowing with strawberries. I’m definitely going to buy one this year too.”

Overflowing with strawberries. The first thing I think is that that’s not a very mouthwatering description. But, about the only time Osanai-san smiles like this nowadays is when talking about sweet things.

Which is why I didn’t rain on her parade, and instead answered that that sure was something to look forward to.

No matter how slowly Osanai-san savored the small tart, it disappeared within 10 minutes. By that time, I had gotten tired of my coffee, leaving a little at the bottom. The tart had vanished, and returning to her original depressed face, Osanai-san eventually timidly asked,

“By the way, Kobato-kun.”

“Yeah?”

“What kind of person is Doujima-kun?”

That’s a difficult question. I’m not the best at briefly summing up people when asked what kind of person they are. Without thinking, I asked back,

“You’re curious?”

Osanai-san had her eyes down, and kept glancing up to gauge my reaction. She was probably being considerate, since I was Doujima’s friend. I smiled at her, and waited for her to talk.

A small voice that was almost a whisper came out,

“That guy…. It seems like he was pressuring you. I’m sorry to say this about someone I just met, but he seemed kind of pushy.”

I can understand that uneasiness. We pick up on those kinds of signs. In all actuality, it’s not like Kengo’s never like that.

“You’re right. He’s a rather intrusive guy, if he hasn’t changed in the three years since I’ve seen him.”

“…”

Osanai-san’s naturally unsunny expression got a shade darker. For the coming high school life that’s beginning, it must feel like an overhanging black cloud she can’t shake. I really understand how she feels, but I wanted to come to Kengo’s defense just a little.

“But, you don’t need to worry. Kengo’s a good person.”

After saying that, I wondered if it was an idiotic thing to say.

As expected, Osanai-san shook her head slightly.

“Him being a good person makes me even more worried. …They don’t let you get away. Wasn’t it you who said it’s easier to deal with bad people?”

Yeah, I did.

But Kengo isn’t the kind of “Good person” we should be afraid of. He’s not the kind of “Good person” that would drive us into a corner with the slogan of “For the sake of…”. Of course, he’s also not a bad person. How can I explain that?

Seeing me fall into silence, Osanai-san hurriedly said,

“Are you thinking of what you should say? It’s alright, don’t worry about it. If it’s someone you want to stay friends with, I’m sure they’ll leave me alone.”

“…Yeah. I think that’s what’ll happen.”

While worrying that that was a slightly noncommittal sounding answer, I started emptying the little remaining coffee bit by bit. As if following suit, Osanai-san also took a gulp of her lemonade. I’m not friends with Kengo, but I considered him better than me. If possible, I don’t want Osanai-san to dislike Kengo. But well, that’s up to Osanai-san. I won’t get involved.

And, about the time the two cups became empty,

Osanai-san braced herself as if making up her mind, and said,

“Kobato-kun. If you ever need to run away from something, you can use me as an excuse. You don’t need to hold back.”

I faintly smile.

“Of course, I’ll take you up on that.”

It’s a promise between us that doesn’t need affirming at this point. Just as I use Osanai-san as an excuse, Osanai-san uses me as an excuse. I turn Osanai-san into a shield, and Osanai-san turns me into a shield. We’ve created peaceful times, doing that.

Yes. Soon, we’ll become high school students. We can’t let this chance get away.



We will begin our leap to becoming perfect petit bourgeois.





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Translated from volume one of The Spring Exclusive Strawberry Tart Case by Honobu Yonezawa, part of the Petite Bourgeois series.

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Saturday, March 23, 2019

The reasoning behind "Don't win". Hunter×Hunter and Essays in Idleness.

Shibuya Psychosomatic Medicine・You Mental Clinic Secret Column "Studying Hunter×Hunter and Essays in Idleness, the reasoning behind 'Don't win.'" 



Now, are you familiar with the Weekly Shonen Jump manga "Hunter×Hunter," which is highly praised and currently on hiatus?




This is a manga where characters use a supernatural power called Nen, and they "Hunt" various things.
 
Among them, there is an enemy character called Pariston.

(c)Shueisha/Yoshihiro Togashi (Same below)

Although his full name "Pariston Hill" is without a doubt a reference to a certain hotel celebrity.
Personally, I find this character quite intriguing.
 
He certainly isn't a character strong at fighting.
However, at the same time, as a villain, and as a person, I think he may be a character with the greatest kind of strength.
Then what specifically is the kind of strength he has?
To sum it up briefly, it's not trying to win.
 
There is a character called "Cheadle" written to be a contrasted to him.

She says this,


"How can I win against him?"
 
And this is then explained to her,

"That guy isn't trying to win."
"He isn't trying to lose either."
 
"That's why he's strong."
 
Seeing this, I thought, "Ah, I understand."
But do you understand the meaning?
 
Actually, the 110th passage in the classic "Essays in Idleness" has this kind of content.
———————————–
双六の上手といひし人に、その手立を問ひ侍りしかば、
「勝たんと打つべからず。負けじと打つべきなり。いづれの手か疾く負けぬべきと案じて、その手を使はずして、一目なりともおそく負くべき手につくべし」と言ふ。
道を知れる教、身を治め、国を保たん道も、またしかなり。
———————————–
If translated into broken modern dialect, it looks like this.
———————————–
When a person good at sugoroku was asked how they did it, they answered
"You can't play to win. You must play to avoid losing.
Never play a move that makes you think 'I might lose if I play there...!',

but play moves that push losing just a little further away."
                                                        
You can tell they're the words of someone who's mastered their craft.
This may even work as a way to improve yourself, or rule a country.
———————————–
I think "You can't play to win. You must play to avoid losing." is very deep. What do you think?
"Sugoroku" is mentioned here.
It's not the modern day game of throwing dice to move toward the goal.
It uses dice, but since it's a battle of wits, it may be best to consider it similar to shogi or go.
Well, in other words, you can consider "双六の上手" to mean a "Pro at the game."
According to this person, the secret of this game ends up being
"Don't try to win. Make it so you don't lose"
                                                           
In short, the philosophy of Hunter×Hunter's "Pariston" is also written in Essays in Idleness, and is the greatest trick in a match.
I wonder if this is a coincidence.
I wonder if Essays in Idleness will be known as "Idle×Essay" in the near future. Probably not.
 
Nothing is written in Essays in Idleness concerning the reasoning behind "You can't play to win. You must play to avoid losing."
However, if I were to apply my own reasoning, it would look like this.
 What does it mean to want to win...?
First of all before anything else, the more you want to win, the more weaknesses appear.
In kendo, you're torso is defenseless the moment you prepare a large swing, and if it's in boxing, you'd be targeted by counter punches.
Also, trying to win is also the same as underestimating your opponent by that much.
"If I play something like this, my opponent probably won't realize my true objective...! Rather, I don't want them to...!"
This flow causes you to stop thinking.
In addition, you can start to wish "there's no doubt my opponent is a low-level person."
There's even a danger of your opponent pulling the rug out from under you from that carelessness.
Also, from your thought process stopping, you will gradually become a low-level person yourself. You won't grow.
In contrast, the person who tries to avoid losing always highly estimates their opponent's ability.
"If I play this, what if they play something even better...?"
"There might be a better play I'm not seeing...!"
Continuing to think like that results in your own level increasing.
By repeating this, the one who ends up getting stronger in the end is of course the latter person.
 
Cheadle, who is in fact a rival, says this a lot.



"It's impossible for you now."
"It's useless!"
In other words, this character is only thinking about winning, and is underestimating their opponent.
As a result, she stops thinking about the plays her opponent could make, and ends up losing.
 To win means to dislike the battle.
Furthermore, looking at "I want to win!" from a different perspective, it reveals feelings of "I want to hurry up and win so the match can be over, and I can take it easy!"
In other words, they're thinking, "This match is hard on me."
However, "I want to make it so I don't lose" is a measure of how much resolve you have to endure a long-term match.
As a result, you may even be able to proactively think, "Let's have fun."
A person who thinks, "I want to hurry up and get out of the water," and a person who thinks, "I love the water! I love being underwater!"
When competing at "Who can stay underwater the longest," the winner would probably be the latter.

 
It's even said about him in the manga that "He just wants to have a good time."

Compared to that, Cheadle is impatient, and can't enjoy any of it.
As a result, she ends up losing.
 Winning is momentary. What about "Not losing"...?
Furthermore, when thinking about your entire life...
An even bigger difference arises.
Winning is only momentary.
It's accomplished if you say, "I won!" even once.
Taken to the extreme, if you try your best for just a day, or a period of time, it is possible to win.
However, not losing is a long-term state.
In order to avoid losing even once, you have to continue to exert effort over your entire life.
 
For example,
"I was responsible for some pretty amazing jobs, back in my day."
"I was hot stuff too, back in my day."
Are people like that attractive? People who say that all the time, but are currently doing nothing?
You would probably answer no.
But people who work their hardest every day to avoid losing, they must be plenty attractive just from that alone.
Winning just once at something is actually not that impressive.
What's important is to always stay not losing.
This character Pariston ends up controlling the match in the end.
He explains the reason for his victory like this.


In his head, he thought, "I thought there was no way I could win."
He's always thinking of the worst-case scenario, and taking steps to prevent it.
He even has lines like this.


Regarding an enemy character to him called Ging, he says he "Trusts him as an enemy."


 
That's why he trusts his enemy to always take the best path.
 
On top of that expectation, he took the maximum specialized countermeasures for them, so victory fell into his hands.
 
It's refreshing in a way.
"Believe in the power of your friends" is line that often appears in your typical battle manga.
However, starting to think like this leads to a bad way of thinking.
It's because you aren't thinking of "What if the power of my friends is less than I anticipated?" So if that happens, of course you'll lose.
In that way, I think "Believing in the power of your enemy" is a much more praiseworthy and wonderful way of thinking.
 
 It's actually more fun to "Avoid losing."
Now, have you understood that compared to Winningmaking it so you don't lose is much harder and more important?
However, there's no need to worry that "I can't do something that difficult."
Depending on your way of thinking, it's much more interesting, and you might be able to last longer.
Comparing it to a game, it's like a minigame that you repeat every day.
In the past there was a game called "Space Invaders."
It's a game where you fight off invaders that slowly move down, assailing you.
You clear each stage by defeating all of its enemies, but the stages endlessly continue.
There is no defeating a boss to clear the game.
In the end, it's a defensive battle, but even so, there was a huge boom.
Actually, most of the popular phone games are mini games.
On the other hand, a huge game that was popular recently in which you "Spend weeks and months trying to find and defeat the demon lord, who you don't know the location of" currently doesn't have too many players.
Because rather than a large victory someday, it's much more simple and fun to succeed in a defensive battle every day.
You can also think of it like that.


This Pariston is also constantly grinning...

In order to avoid losing, he proactively makes proposals that make it hard on himself, and enjoys it.
 
To avoid losing is something that makes people lively more than anything else...
That kind of message may be hiding here.
 What are methods to avoid losing...?
In any case, it's important to avoid losing.
As long as you don't lose, your rival may make a bad play during the match.
They may inadvertently show a weakness from exhaustion, or give up.
It may seem like the long way around at first glance, but it's the best way to play a match above anything else.
Then, what do you have to do to "Avoid losing"?
Broadly speaking, there are two methods.
 What to do when things are hard for you...?
Method one.
Think, "If it's hard for me, it must also be hard for my opponent."
The fact that you're still continuing the match actually means that you're on the same level as your opponent.
If your strength were completely different, you would be defeated in an instant, without even having time to think, "I'll try not to lose."
Thinking right now that "I'll try not to lose!" means you're fighting at the same level.
That's why, at any rate, just remember, "It's not just hard for me" and relax.
 Stand for just another 30 minutes.
And the other method.
On the premise that "It's also hard for my opponent" as a base, think "I'll keep standing here for just another 30 minutes."
No matter what is said to you, or what kind of attack you receive, never accept defeat.
Making any kind of a counterargument is good; it's even fine if you ignore it.
Never running away or surrendering, just think "Stand for just another 30 minutes" on the battlefield.
If you're in negotiations, continue negotiating for another 30 minutes, without giving up.
Before long, you may see an opening, or a silver lining.
It's the same even in love.
It's this way with any kind of date, but it's pretty hard to come by "One line that will make anyone fall for me."
That is truly a method for winning.
Searching too much for those kinds of lines puts the match at risk.
Rather than that, what's important is to just gradually express your affection while continuing the date.
Along the way, various things may happen like,
"It turns out they already have a lover"
"I didn't really like their attitude"
"Even though I confessed, I didn't get a good response"
Which would lower your excitement.
However!
Even then, you shouldn't lose.
Even during those times, just think, "I'll continue the date another 30 minutes, and continue flirting."
If you can do this, affection may even bloom in your partner, and you'll ultimately be more popular.
 No matter what kind of fight it is.
It's the same even for fights that aren't one on one.
Even if you're competing against every other person in the world.
After all, if you're thinking it's hard on you, then everyone else will be thinking it's hard on them.
At that time, just think, "I'll stand just 30 minutes longer than the person next to me."
You may be able to fight more easily in 30 minutes compared to right now.
You may even find some kind of new discovery.
And if 30 minutes passes and it seems like you're about to lose, please think, "Just 30 minutes longer."
Of course, there may be a limit to how much you can do this, but you will be able to avoid defeat much longer compared to people who don't know about the "Just 30 minutes more" way of thinking.
Once more, this is what the greatest trick in a match is.
-----------------------------------
 This time's summary.
-----------------------------------
 You can't play to win. You must play to avoid losing.
 More than winning, trying to avoid losing is much more difficult and fun.
 What's important to not losing is thinking, "I'll stand for just another 30 minutes."
 In closing.
In life, what is the number one biggest defeat?
It goes without saying.
It's "Dying."
Once you die, there's no coming back.
No matter what kind of situation you're in, please just don't choose to die.
That's right.
As long as you're alive, you "Haven't lost."
The fact that you're alive here today means that you haven't lost up until yesterday.
So, please be at ease.
Then what's the second largest defeat?
It is losing by default.
Doing nothing, even though you wanted to do something. Putting it off to later.
And eternally never even making it to the game board.
This is losing by default, the second largest defeat.
It's fine even if you don't win.
Even if you fail, you can just try again, making course changes as many times as it takes.
As long as you keep repeating that, you haven't lost.
I'll say it again.
"You can't play to win. You must play to avoid losing."
Not losing is much more important than winning.
(End)

By the way, about Hunter×Hunter.


It has drama greater than the action of a shonen magazine; I think it's really an amazing manga.
If only the author wasn't on hiatus.
In any case, I highly recommend it, give it a try.
Thank you very much for reading this far.
(c)Shueisha/Yoshihiro Togashi    This site uses parts of images for the purpose of introduction and quotation.







Translated from: http://yusb.net/col/777.html

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Thursday, April 2, 1970

Petite Bourgeois Series

Volume 1 - The Spring Exclusive Strawberry Tart Case


   Prologue

   Chapter 1 - Sheep Costume - Part 1